5 shows in Tôkyô (Kabukiza, Shimbashi Embujô, National Theater), 1 in Kyôto (Minamiza), 1 in in Ôsaka (Wahha Kamigata Engei Hall) and 1 tour (Chikamatsuza)!

The Naritaya (Ichikawa Danjûrô and his son Ichikawa Ebizô), Otowaya (Onoe Kikugorô, his son Onoe Kikunosuke and Onoe Shôroku), Nakamura Shikan, Bandô Mitsugorô, Nakamura Baigyoku and Nakamura Tokizô perform at the Kabukiza!

Nakamura Kichiemon, Nakamura Shibajaku, Ichikawa Danshirô and Nakamura Tomijûrô perform at the Shimbashi Embujô!

Bandô Tamasaburô and some young actors perform at the Minamiza!

The Zenshinza troupe performs at the National Theater!

Sakata Tôjûrô and Nakamura Kaishun tour together with the Chikamatsuza!

Ichikawa Danjûrô, Onoe Kikugorô, Bandô Mitsugorô, Nakamura Shikan, Nakamura Tokizô, Nakamura Baigyoku, Ichikawa Danzô, Ichikawa Sadanji, Nakamura Kanjaku, Ichimura Manjirô, Bandô Hikosaburô, Ichikawa Ebizô, Onoe Kikunosuke, Onoe Shôroku, Ichikawa Monnosuke, Ichikawa Omezô, Sawamura Tanosuke, Kataoka Ichizô, Ôtani Tomoemon, Bandô Shûchô, Kataoka Kamezô, Ichikawa Unosuke, Ichimura Kakitsu, Kawarazaki Gonjûrô, Bandô Kamesaburô, Bandô Kametoshi, Nakamura Toranosuke, Ichimaura Takematsu, Ichimura Hikaru

This program celebrates the 120th anniversary of the first Kabuki performance given for the Emperor (the 21st of April 1887) with the dance-drama "Kanjinchô" and the 6th anniversary (7th memorial service) of the death of Ichimura Uzaemon XVII witht the drama "Onna Shibaraku":

Dorobô to Wakatono:
(The Thief and the Samurai Lord)
This is a new play that is a dramatization of a story by popular historical novelist Yamamoto Shûgorô. It shows a surprising encounter between a thief and a high-ranking samurai lord. Starring Onoe Shôroku as the thief and Bandô Mitsugorô as the samurai lord.

Kanjinchô: probably the most popular Kabuki play today, it includes dance, comedy and the heart-warming pathos of a band of heroes during their last days. Disguised as a band of traveling priests the fugitive general Yoshitsune and his small band of retainers are stopped at a road barrier. They escape only through the quick thinking of the head retainer, a warrior priest named Benkei, who improvises the text of an elaborate imperial decree. Having escaped dancer Benkei and the others describe their days of glory and hardships on the road to escape in a moving dance. This program stars Ichikawa Danjûrô in the role of Benkei, with Nakamura Baigyoku and Onoe Kikugorô as Yoshitsune and the barrier keeper Togashi.

Kirare Yosa: Yosaburô (Ichikawa Ebizô), the refined young son of a wealthy merchant falls in love with Otomi (Onoe Kikunosuke) the moment he first sees her on the beach. But Otomi is the mistress of a powerful gangster, and when their relationship is discovered, the two are attacked. Yosaburô is cut from head to toe and the two are dumped into the sea. Otomi lives and is taken in by a rich merchant while Yosaburô is now covered with scars. Yosaburô turns into a petty thief and extortionist but one day, finds that the woman he is about to blackmail is none other than Otomi, alive and well.

Onna Date: Nakamura Shikan stars as a woman in the pleasure quarters who swaggers and fights in the finest gallant style but who has a delicate sense of femininity as well.

Onna Shibaraku: Ichimura Uzaemon XVII was one of the mainstays of Kabuki. Rich in knowledge of Kabuki’s acting tradition, he was also a skilled player of mature male roles. To commemorate the seventh anniversary of his death, the first play in the evening program features his three sons Bandô Hikosaburô, Ichimura Manjirô and Kawarazaki Gonjûrô in a spectacular play that shows old-fashioned Kabuki at its best. More ceremony than play, "Shibaraku" is one of the oldest pieces in Kabuki. Just as an evil villain is about to execute a group of loyal retainers, a voice calls out for him to wait and a hero appears to save the day. This version is a parody, though, as the hero is played by an onnagata female role specialist, who mixes the super-human strength of an aragoto hero with the soft gentleness of a Kabuki heroine. Featuring Ichimura Manjirô as the heroine and Bandô Hikosaburô as the larger-than-life villain, with Bandô Mitsugorô as a friendly stage attendant who makes sure that everything goes right.

Ame no Gorô: Soga no Gorô is one of the most famous heroes in the Kabuki world, super-strong and quick to fight. However, this dance shows the soft side of this hero as well as he travels nightly to the pleasure quarter to visit his lover. Starring Onoe Shôroku as Gorô.

Mitsumen Komori:
(The Babysitter with Three Masks)
This short charming dance shows a young girl who is a babysitter and she entertains her charge with a series of games and dances. The highlight is when she does a short sketch with three comic masks which shows a romantic quarrel between the plump, homely woman Okame and the drunken god of prosperity Ebisu. Finally Hyottoko with his funny, twisted up mouth steps in to mediate the fight. Starring Bandô Mitsugorô, one of the finest dancers of the younger generation of actors.

Megumi no Kenka: they used to say that fights and fires were the flowers of the city of Edo and many plays feature the gallent members of firefighting troupes, who were popular heroes. This particular play depicts a rivalry between the members of the Megumi firefighting band and a group of sumô wrestlers, which ultimately is a confrontation between the firefighters, who represent the commoner class and the samurai patrons of the sumô wrestlers. The fight begins with a minor incident, but grows into a situation of such tension, that when Tatsugorô, the leader of the firefighting gang, goes to his final fight, he goes with the full intention that this may be a fight to the death. Before he leaves, he has an emotional parting from his family. Featuring Living National Treasure Onoe Kikugorô as Tatsugorô and Ichikawa Danjûrô as the leader of the group of sumô wrestlers.

Source: Earphone Guide website

Nakamura Kichiemon, Nakamura Shibajaku, Ichikawa Danshirô, Nakamura Tomijûrô, Nakamura Fukusuke, Ichikawa Somegorô, Nakamura Kinnosuke, Nakamura Kashô, Nakamura Karoku, Nakamura Kichinojô, Nakamura Matsue, Ichikawa Komazô, Nakamura Tamatarô

Nakamura Kichiemon is for the second time the zagashira of a troupe of young actors performing at the Shimbashi Embujô. He plays four major roles, including the role of Hasegawa Heizô, a role which he played for many years in the TV series "Onihei Hankachô".

Narukami: one of the most popular and universally appealing plays in the Kabuki Jûhachiban collection of plays featuring the bombastic aragoto style of acting. The holy man Narukami (Ichikawa Somegorô) is angry at the Imperial Court and has taken refuge in the mountains where he has imprisoned inside a waterfall the dragon that brings rain, bringing a severe drought to the country. Princess Taema (Nakamura Shibajaku) is sent by the Imperial Court to try to seduce Narukami, destroying his magical powers and release the rain. When he finds that he has been betrayed, anger transforms Narukami into a Thunder God.

Onihei Hankachô: Onihei Hankachô is a popular series of novels, written by Ikenami Shotarô from 1967, and successfully adapted to television. In all, 135 stories were published. The hero is Hasegawa Heizô, head of the special police who had jurisdiction over arson and robberies in Edo. His nickname is "Onihei," which means "Heizô the Devil". He leads a band of law-enforcers and cultivates reformed criminals as informants to solve difficult crimes. This episode, "The Retired of the Ôkawa River" is about the stealing of Onihei's precious silver kiseru, a souvenir from his late father. The investigations lead Onihei to the old boatman Tomogorô, who used to be a thief but he's supposed to have retired. Featuring Nakamura Kichiemon and Nakamura Karoku in the roles of Onihei and Tomogorô.

Tsuri Onna: ???

Mikasayama Goten: ???

Hôkaibô/Futa Omote Mizu ni Terutsuki: a comic play featuring the antics of an evil begging priest named Hôkaibô. Hôkaibô (Nakamura Kichiemon) is in love with the beautiful, young Okumi (Nakamura Shibajaku) who is herself in love with Yôsuke, a servant at her father's store. Yôsuke (Nakamura Kinnosuke) is actually an aristocrat searching for the lost treasure of his family. He regains possession only to have the scroll stolen by Hôkaibô. Yôsuke accepts Okumi's love, but is also pursued by Princess Nowake (Ichikawa Somegorô), his true fiancee. In a grim but humorous scene at a graveyard, everyone tries to get Okumi and the scroll. But Hôkaibô ends up killing Princess Nowake and is killed himself before he can enjoy the fruits of his villainy. The last scene, "Futa Omote Mizu ni Terutsuki", is one of the great classics of dance and is often performed separately. Yôsuke and Okumi try to run off together only to find a strange figure that looks exactly like Okumi. Yôsuke tries to find out which is the real Okumi. In fact, in a virtuoso turn for the star actor who plays this double role, the mysterious figure is made up of the combined spirits of Hôkaibô and Princess Nowake, each questing for love even after death.

Source: Earphone Guide website

Nakamura Umenosuke, Arashi Keishi, Kawarazaki Kunitarô, Nakamura Baijaku, Segawa Kikunojô, Fujikawa Yanosuke, Arashi Hironari, Yamazaki Ryûnosuke, Yamazaki Kyôka, Yamazaki Tatsusaburô, Osagawa Genjirô

The Zenshinza troupe stages two of its classics, the bombastic kabuki jûhachiban drama "Kenuki" and Mayama Seika's shinkabuki drama "Shinmon Tatsugorô":

Kenuki: in this play, which retains the light, festive atmosphere of early-period Kabuki, a princess has a mysterious ailment that makes her hair stand on end, an ailment that prevents her from carrying out her long-awaited marriage. Kumedera Danjô comes from the groom's household to investigate and finds a plot to take over the household when his tweezers float in mid-air. Arashi Keishi stars in a play that features the bombastic aragoto style of acting that is a specialty of his family.

Shinmon Tatsugorô: ???

Source: Earphone Guide website

Bandô Tamasaburô, Ichikawa Danjirô, Ichikawa Emisaburô, Ichikawa En'ya, Ichikawa Shun'en, Bandô Shinsha

Sakata Tôjûrô, Nakamura Kaishun, Nakamura Kazutarô

18th edition of the Chikamatsuza tour.

Kagami Jishi: one of the most important dances for onnagata female role specialists and is an audience favorite. The maidservant Yayoi performs an auspicious lion dance for the Shôgun in his opulent palace, but she gradually finds herself under the control of the lion spirit. In the second half of the dance, the lion spirit itself appears and performs its crazed dance among peonies and fluttering butterflies. Starring Nakamura Kazutarô as both Yayoi and the spirit of the lion.

Kôjô: there is a close relationship between the stage and the audience in Kabuki and this is shown by these ceremonial stage announcements where the top stars of the company address the audience directly. This kôjô is led by Sakata Tôjûrô.

Yoshidaya: the roots of this play go back to the earliest days of Kabuki. Izaemon, the son of a wealthy family, has been disowned for loving a courtesan and now has nothing but a paper kimono. This role is a classic example of the wagoto or soft style of acting that is one of the representative acting styles of the Kansai region. Sakata Tôjûrô stars as Izaemon, a role that is a specialty of his family's Kansai acting style. Featuring Nakamura Kaishun as his lover, the courtesan Yûgiri.

Source: Earphone Guide website

Kamimura Kichiya

Third edition of the program of the association Miyoshi no Kai, which stars the young and talented actor Kamimura Kichiya, who plays the roles of the blind masseur Hide-no-Ichi and Oyumi in "Amma to Dorobô" and "Keisei Awa no Naruto".