Stage names:
Bandô Jutarô I
Bandô Jûtarô
Guilds: Kameya, Narutaya
Line number: SHODAI (I)
Poetry names: Kaseki (?), Tôshi, Ganshi
Existence: 1769 ~ 24 December 1840
Connection:
Adopted father: Bandô Iwagorô
Disciple: Nakamura Kashichi IV
Career:
1769 ~ 1791: born in Ôsaka. His father is the sumô wrestler Edozaki Kosaburô. He starts his career around 1788 as a musumegata performing in hama shibai (stage name unknown). He is adopted by Bandô Iwagorô at the beginning of the 1790s.
November 1791: he makes his debut in ôshibai, taking the name of Bandô Jûtarô and playing as a wakaonnagata at the Naka no Shibai the role of Princess Tsukimitsu in the drama "Fûryû Ôeyama", which ends the kaomise program "Furisode Shuten Dôji", which is produced by Hanagiri Tomimatsu.
November 1792: Jûtarô becomes tachiyaku and zamoto; he produces at the Naka no Shibai the kaomise "Chûshin Futabagura".
17 August 1795: his adopted father Bandô Iwagorô dies.
1800s ~ beginning of the 1810s: he plays mainly in hama shibai (Ôsaka venues like the Wakadayû no Shibai or the Takeda no Shibai) or in travelling troupes performing in miyaji shibai around Kyôto.
February 1806: the play "Kamakura Sandaiki" is staged for the first time in Kyôto, in the precinct of the Inaba Yakushi temple. The main roles are played by Yamashina Jinkichi II (Princess Toki), Mimasu Seibei (Takatsuna) and Jûtarô (Miuranosuke).
April 1812: Jûtarô and 20 Kamigata actors (including Ôtani Tomoemon II and Nakayama Bungorô I) move to Edo. They perform at the Moritaza in the dramas "Tomoyobi Kawasu Shimabara no Saiken" and "Ise Ondo Koi no Netaba" (Jûtarô plays the role of Fukuoka Mitsugi).
May 1812: Jûtarô plays in the same theater the roles of Abe no Sadatô and Sodehagi in the drama "Zôhô Adachigahara" (similar to "Ôshû Adachi-ga-Hara"); the roles of Abe no Munetô is played by Ôtani Tomoemon II.
Summer 1812: Jûtarô goes back to Kamigata.
Winter 1817: Jûtarô joins a troupe of several Kamigata actors, led by Kataoka Nizaemon VII, who travel together up to Edo.
March 1817: Jûtarô plays at the Kiriza in the drama "Shinbutai Megumi no Ishizue"; his Edo stage partners are Suketakaya Takasuke II, Ichikawa Dannosuke III and Iwai Kumesaburô II.
April 1817: Jûtarô plays in the same theater the role of Jihizô in the drama "Honchô Nijûshikô".
May 1817: Jûtarô plays in the same theater the role of the yakko Chienai in the drama "Kiichi Hôgen Sanryaku no Maki".
Fall 1817: Jûtarô goes to Kyôto.
November 1817: Jûtarô plays at the Kitagawa no Shibai the roles of Fujiwara no Kamatari and the fisherman Fukashichi, in reality Kanawa Gorô Imakuni, in the drama "Imoseyama Onna Teikin".
January 1818: Jûtarô plays in the same theater the role of Sakuramaru in the drama "Sugawara Denju Tenarai Kagami"; the roles of Matsuômaru and Umeômaru are played by Kataoka Nizaemon VII and Arashi Sangorô III.
January 1824: Jûtarô's rank in the Kamigata hyôbanki, tachiyaku section, is jô-jô-kichi (superior - superior - excellent).
November 1825: he replaces the first ideogram of his first name Jû (serious) by the ideogram Ju (longevity):
| Jûtarô | Jutarô |
| 重太郎 | 寿太郎 |
You need a Japanese Language Kit installed within your system in order to be able to read the characters
November 1826: Jutarô plays at the Minamigawa no Shibai the roles of Koyoshi and Kujaku Saburô in the drama "Hade Kurabe Ise Monogatari".
January 1827: Jutarô's rank in the Kamigata hyôbanki, tachiyaku section, is hakushi-jô-jô-kichi (almost unique - superior - superior - excellent).
November 1827: Jutarô plays at the Takeda no Shibai the roles of Tokushima Chikara and Osai in the drama "Azuma Kaidô Chaya Musume"; his main stage partner is Fujikawa Tomokichi II.
January 1828: Jutarô's rank in the Kamigata hyôbanki, tachiyaku section, is hakushi-jô-jô-kichi (unique - superior - superior - excellent).
January 1829: Jutarô plays at the Naka no Shibai the roles of Dankurô, Sonobe Hyôe and Magaki in the drama "Shin Usuyuki Monogatari".
May 1829: Jutarô plays at the Naka no Shibai the roles of Enju and Hatakeyama Shigetada in the drama "Hirakana Seisuiki". He also plays the role of Tokubei in the drama "Natsu Matsuri Naniwa Kagami"; the roles of Danshichi Kurobei and Tsuribune Sabu are played by Ichikawa Hakuen II and Ichikawa Danzô V.
January 1830: Jutarô's rank in the Kamigata hyôbanki, tachiyaku section, is hakudai-jô-jô-kichi (almost grand - superior - superior - excellent).
November 1830: Jutarô plays at the Minamigawa no Shibai the role of Saginuma Tarô in the drama "Ehon Utô Monogatari".
January 1831: Jutarô's rank in the Kamigata hyôbanki, jitsuaku/katakiyaku section, is hakudai-jô-jô-kichi (almost grand - superior - superior - excellent).
January 1832: Jutarô's rank in the Kamigata hyôbanki, jitsuaku/katakiyaku section, is dai-jô-jô-kichi (grand - superior - superior - excellent).
January 1833: premiere of "Chichi Morai" at the Kado no Shibai; Jutarô plays the role of Iwakiya Tôzaburô [casting].
March 1833: premiere at the Kitagawa no Shibai of "Hana Fubuki Koi no Tekagami"; Jutarô plays the role of Iwakiya Tôzaburô [casting].
January 1834: Jutarô's rank in the Kamigata hyôbanki, jitsuaku/katakiyaku section, is hakugoku-jô-jô-kichi (almost extreme - superior - superior - excellent).
January 1836: Jutarô's rank in the Kamigata hyôbanki, jitsuaku/katakiyaku section, is shin-jô-jô-kichi (truly - superior - superior - excellent). Premiere at the Naka no Shibai of Nishizawa Ippô's drama "Hana no Ani Tsubomi no Yatsufusa" Jutarô plays the role of Inuyama Dôsetsu [casting].
Fall 1839: Jutarô goes to Edo.
November 1839: Jutarô plays at the Kawarazakiza the role of Otsugi in the drama "Seishû Akogi-ga-Ura".
Fall 1840: Jutarô goes back to Ôsaka. He plays at the Ônishi no Shibai the roles of Sadaka and Soga no Iruka in the drama "Imoseyama Onna Teikin". This is his last stage appearance.
24 December 1840: Jutarô dies in Ôsaka. His tombstone is located in the precinct of the Honkakuji Temple.
Comments:
Bandô Jutarô I was a talented and popular Ôsaka actor, who achieved fame for himself in Kamigata from the 1820s to the end of the 1830s. He was able to play a wide range of roles, either as a tachiyaku, onnagata or jitsuaku. He also excelled in wagoto. All his features were outstanding: appearance on stage, acting style, articulation, declamation, elocution, ...
Bandô Jutarô I playing the role of Kiritarô in the new year drama "Keisei Hanafusa Sôshi", which was staged in January 1835 at the Naka no Shibai (print made by Nagahide)