From ancient time, the Twenty-Four Examples of Filial Piety, one of the Confucian classics, has taught respect for one's parents with stories that seem rather strange and even grotesque today. For example, there is the story of the man whose sick mother wanted fresh fish in the dead of winter and so the man lay naked on the ice until he melted a hole through and the gods, taking pity on his plight saw that fish jumped out through this hole. Another story has a mother who wants to eat fresh bamboo shoots in the dead of winter. A dutiful son digs through the snow and finds that, miraculously, there are bamboo shoots growing underneath the snow. Chikamatsu Hanji, a playwright for the puppet theatre, combined these legends with the story of two feuding clans in the Japanese age of warring states (sengoku jidai), Nagao Kenshin and Takeda Shingen, to produce a fantastic historical drama on a grand scale, which was titled "Honchô Nijûshikô" ("Twenty-Four Examples of Filial Piety in Japan"). It was staged for the first time in January 1766 in Ôsaka at the Takemotoza. It was adapted to Kabuki a few months later and was produced by both Nakamura Utaemon I and Mimasu Daigorô I in Ôsaka at the Naka no Shibai [casting].

In this play, the Shôgun is assassinated and both Nagao Kenshin and Takeda Shingen are suspected of being behind it. They are granted three years to investigate the incident and this play shows the various events surrounding this.

"Honchô Nijûshikô" is made up of 5 acts:

The most famous scene of "Honchô Nijûshikô" is the third one in the fourth act, which is commonly called "Jusshukô" and is frequently staged either with or without the following scene ("Kitsunebi").

"Kitsunebi" is also often staged as a shosagoto.

Act III is commonly called "Takenoko Hori". It was very popular during the 18th or the 19th centuries, more popular than "Jusshukô", but this is no more the case nowadays as it is only revived once every 20 years.

The seppuku in Takeda Shingen's mansion

The mansion of Takeda Shingen, the ritual suicide of Katsuyori. The shogun is assassinated and the top warlords Takeda Shingen and Nagao Kenshin have been ordered to find the assassin. Even though they are bitter rivals, in a political marriage, Takeda Shingen’s son Katsuyori has long been betrothed to marry Princess Yaegaki, the daughter of Nagao Kenshin. Shingen’s son Katsuyori is blind and must die by ritual suicide if Shingen is unable to find the assassin of the shogun. Eventually he dies, but as it turns out, the Katsuyori that dies is an imposter, substituted as a child by a villain trying to take over Shingen’s clan. Nureginu, a lady-in-waiting who is the only one to truly love the false Katsuyori, mourns this false Katsuyori. The real Katsuyori has lived as a humble gardener and Shingen sends Katsuyori and Nureginu to sneak into the mansion of Nagao Kenshin to recover a precious helmet that is a treasure of Shingen’s clan.

Act III (Takenoko Hori)

The Nagao Kenshin and Takeda Shingen clans seem to be bitter rivals, but both are ordered to search for the assassin of the Shôgun. In the rare "Takenoko Hori" scenes, the rivalry between the two clans is very clear as they fight over the services of the sons of the brilliant strategist Yamamoto Kansuke, now dead. There are two brothers, the gentle Jihizô and the rough Yokozô. Their mother worries over whom to declare their father's heir by bestowing the secrets of strategy. The two brothers fight in the snow, furiously digging up the box of strategic secrets. This scene resembles the ancient legend of the filial son digging up bamboo shoots in the snow, giving this act its title.

The michiyuki of the Perfectly Matched Couple

This dance scene shows the journey of Katsuyori and Nureginu to Kenshin’s mansion. The title of the dance ironically describes them as a “perfect couple,” but Nureginu loved the Katsuyori that died who was an imposter, but she must travel with a man who has the same name, but is a totally different person. Meanwhile, Katsuyori must travel to Princess Yaegaki, who has long been promised to him in marriage, but he must masquerade as Minosaku, a humble gardener.

The incense named jusshukô at Nagao Kenshin's Mansion (Jusshukô)

At Kenshin’s mansion, Princess Yaegaki is mourning the death of Katsuyori. She has never met him, but since they were betrothed to marry, she has always regarded herself as Katsuyori’s wife. She spends her days gazing at a portrait of Katsuyori. Meanwhile, in another room, Nureginu, who has become a lady-in-waiting to the princess, mourns for the Katsuyori who has died as well. But Nureginu knows that the Katsuyori that died was an imposter. At the same time, the real Katsuyori, who entered the mansion as a gardener wears the robes of a samurai and looks exactly like the portrait of Katsuyori that the princess has treasured for so long. When the princess sees Katsuyori, she knows at once that this is the genuine Katsuyori and asks Nureginu to help her to be united with the man she loves.

The fox fire in the inner garden of Nagao Kenshin's Mansion (Kitsunebi)

The final scene of this section is a musical highlight, as magical foxes that will allow her to save the life of her beloved Katsuyori possess the princess.

Source: Earphone Guide website

The actors Onoe Tamizô II (upper right corner) and Arashi Rikaku II (lower left corner) playing the roles of Yokozô and Jihizô in the "Takenoko Hori" scene of the drama "Honchô Nijûshikô", which was staged in Ôsaka in October 1861 at the Kado no Shibai (print made by Enjaku)

The actor Sawamura Tanosuke III playing the role of Princess Yaegaki in the drama "Honchô Nijûshikô", which was staged in September 1861 at the Ichimuraza (print made by Utagawa Toyokuni III)