7 shows in Tôkyô (Kabukiza, National Theater, Theatre Ginza), 1 in Ôsaka (National Bunraku Theater) and 1 in Toyooka (Eirakukan)!

Nakamura Kanzaburô, Bandô Mitsugorô, Nakamura Hashinosuke, Nakamura Fukusuke and Nakamura Senjaku perform at the Kabukiza !

The Omodakaya guild performs at the Theatre Ginza !

All the others great Kabuki actors are on vacation ...

Nakamura Kanzaburô, Bandô Mitsugorô, Nakamura Hashinosuke, Nakamura Fukusuke, Nakamura Senjaku, Bandô Yajûrô, Ichikawa Komazô, Nakamura Kantarô, Nakamura Shichinosuke, Kataoka Ichizô, Ichimura Kakitsu, Kataoka Kamezô, Onoe Matsuya, Bandô Shingo, Nakamura Tsurumatsu, Nakamura Kunio, Bandô Minosuke, Bandô Kokichi

19th edition of Nakamura Kanzaburô's summer program at the Kabukiza, the Hachigatsu Nôryô Kabuki (literally "the August cool-breeze Kabuki"), which features a group of popular young stars headed by Nakamura Kanzaburô in three short programs of Kabuki, perfect to fight the heat of summer. The program is very adventurous; featuring new plays, revivals of rarely performed modern plays and closing with a Kabuki style version of the opera Aida by Noda Hideki, one of Japan's most famous contemporary directors.

Onna Shibaraku: more ceremony than play, "Shibaraku" is one of the oldest pieces in Kabuki. Just as an evil villain is about to execute a group of loyal retainers, a voice calls out for him to wait and a hero appears to save the day. This version is a parody, though, as the hero is played by an onnagata female role specialist, who mixes the super-human strength of an aragoto hero with the soft gentleness of a Kabuki heroine. Featuring Nakamura Fukusuke as the heroine and Bandô Mitsugorô as the larger-than-life villain, with Nakamura Kanzaburô as a friendly stage attendant who makes sure that everything goes right.

Sannin Renjishi: "Renjishi" is one of the most popular dances in Kabuki, but usually, it is a dance with father and son, in this special version, mother and father appear along with the child. In Asian tradition, the shishi is not really a lion, but a kind of mythical creature that guards the mythical stone bridge to heaven. There is also a tradition that the way a parent shishi teaches its child is very severe and in this dance, the father lion throws his son into a valley, hoping that he will have the strength to climb back up on his own. The striving of the young cub, the concern of the parents, their joyous dance when the son returns to the top of the mountain all show the love between father and son. It stars Nakamura Hashinosuke as the father shishi, with Nakamura Senjaku as the mother and Nakamura Kunio, in real life Nakamura Hashinosuke's son, as the child.

Rakuda: this is a popular dramatization of a rakugo comic story. A petty gang boss named Rakuda (Kataoka Kamezô) has died after eating blowfish. Hanji (Bandô Mitsugorô), one of his gang members, finds him and hopes to bury him, but has no money. When he tries to get the neighbors to contribute, everyone is overjoyed that such a nuisance is dead, but won't contribute a cent towards his burial. Finally Hanji pulls in a passing waste paper collector named Kyûroku (Nakamura Kanzaburô) and forces him to carry around Rakuda's body and threaten to make it dance if the neighbors won't pay up. They get a great sum of money and start drinking together. But as he drinks, the hapless Kyûroku becomes surprisingly aggressive.

Tsubakuro-ha Kaeru:
(Yasunosuke's Search for a Home)
This is a rare performance of a modern play. A carpenter named Bungorô (Bandô Mitsugorô) is on his way to Kyôto when he gets a strange request. A little boy named Yasunosuke was left by his mother in a foster home, but was treated so badly that he ran away. He has heard that his mother is in Kyôto and begs Bungorô to take him with him. Reluctantly Bungorô agrees, but during the long journey together, he almost becomes a second father to the boy. In Kyôto, he meets Yasunosuke's mother Kimika (Nakamura Fukusuke), who is a geisha, but she tells him of her own hardships and that she cannot see Yasunosuke. The play shows the heartbreaking dilemma of the little boy caught between a mother that cannot keep him and the stranger who has become a father to him.

Ôeyama Shuten Dôji:
(The Demon of Mt. Ôe)
One of the most famous stories about demons is about Shuten Dôji, the demon of Mt. Ôe, who loved sake and terrorized Kyôto by kidnapping beautiful women and forcing them to serve him before he ate them. Finally, he is defeated by the famous demon-quelling warrior Minamoto no Raikô and his four followers. Starring Nakamura Kanzaburô as Shuten Dôji and Nakamura Senjaku as Raikô. Based on a classical Nô play, this is a dance that was created by Nakamura Kanzaburô XVII and will be presented by his son, the current Nakamura Kanzaburô for the first time. Also featuring Nakamura Fukusuke, Nakamura Hashinosuke, Bandô Yajûrô, Nakamura Kantarô, Nakamura Shichinosuke, Bandô Shingo and Bandô Minosuke.

Momijigari: the general Taira Koremochi (Nakamura Hashinosuke) travels to the mountains to view the autumn leaves when he suddenly encounters a beautiful princess (Nakamura Kantarô) and her entourage. Aided by the elegant dancing of the princess and a large amount of sake, Koremochi falls asleep, not knowing that she is actually a fierce demon. The god of the mountain (Bandô Minosuke) dances vigorously to try to wake up Koremochi. But as the demon appears in its true form, Koremochi is saved by the magical power of his sword.

Aida Hime: this is a retelling of Verdi's opera "Aida" as a Kabuki history play directed by Noda Hideki, who is famous for his colorful staging and fast and funny movement and dialogue. All the characters of the original have been transformed into Kabuki characters: Aida becomes Princess Aida, Radames becomes Kimura Damesukezaemon, Amneris becomes Princess Nô. It is the age of the warring states and a battle between the Owari and Mino domains has ended in victory for the Mino domain and the defeated lord Oda Nobuhide (Bandô Mitsugorô) has been forced to send his beautiful daughter Princess Aida (Nakamura Shichinosuke) as a hostage to victorious Saitô Dôsan (Bandô Yajûrô) and she is forced to become maid to his daughter Princess Nô (Nakamura Kanzaburô). Dôsan wants his daughter to marry Kimura Damesukezaemon (Nakamura Hashinosuke), the most powerful of his generals, but Damesukezaemon is in love with Aida. When she learns of this, Princess Nô is filled with jealousy and at the same time, Aida’s father Nobuhide plots his revenge on the Mino clan.

Source: Earphone Guide website

Ichikawa Ukon, Ichikawa Emiya, Ichikawa Emisaburô, Ichikawa Shun'en, Ichikawa En'ya, Ichikawa Kôtarô

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Kataoka Ainosuke, Kataoka Hidetarô, Nakamura Kazutarô

This program is in fact the kokera otoshi of the Eirakukan, a renovated traditional theater built in the city of Toyooka (prefecture of Hyôgo).

10th edition of the summer program of the association Oto no Kai (the Sound Association). The first item feature only the geza musicians and the Nagauta music ensemble. The two others items, a drama and a dance, star disciples of major actors.

Ichikawa Kamejirô, Ichikawa Danshirô, Ichikawa Monnosuke, Nakamura Kikaku, Onoe Ukon, Bandô Kamesaburô

6th edition (for the third times in Tôkyô) of the program of the association Kamejirô no Kai, which stars the young and talented actor Ichikawa Kamejirô.

Shunkan: the priest Shunkan (Ichikawa Kamejirô) has been exiled to Devil's Island for plotting against the dictator Kiyomori. A pardon is given to his fellow conspirators, but Shunkan is only saved by an additional pardon given by Kiyomori's compassionate son. Even so, he gives up his place on the boat to freedom so his companion's new wife can accompany her husband back to the capital. The boat leaves and Shunkan is left watching is disappear in the distance, knowing he will be left on the island forever. Featuring Ichikawa Kamejirô's father Ichikawa Danshirô as the evil emissary Senoo and Ichikawa Monnosuke as the merciful envoy Tanzaemon.

Musume Dôjôji: a beautiful young woman dances under cherry blossoms at a dedication ceremony for a temple bell. She dances the many aspects of a woman in love, but is actually the spirit of a serpent, driven to destroy the bell out of jealousy. In addition to being the most famous of all Kabuki dances, "Musume Dôjôji" is considered to be the pinnacle of the art of the onnagata. The role of the shirabyôshi is played by Ichikawa Kamejirô.

Source: Earphone Guide website

14th edition of the common program for 2 associations, the Chigyokai (the Young Fishes Association) and the Kabukikai (the Kabuki Association), which stars stars' disciples in the leading roles of all the items in the program.

18th edition of the Kamigata Kabukikai (the Kamigata Kabuki Association), a summer program in Ôsaka which stars Kamigata Kabuki stars' disciples in the leading roles of all the items.