The first version of the dance "Yoshiwara Suzume" was staged for the first time in November 1768 at the Ichimuraza, under the title "Oshiegusa Yoshiwara Suzume", within the kaomise drama "Otokoyama Yunzei Kurabe". This Nagauta-based dance starred Ichimura Uzaemon IX and Azuma Tôzô II in the roles of the warrior Hachiman Tarô disuised as a bird seller and the spirit of a falcon disuised as the female bird seller. A Kiyomoto version was written by Kiyomoto Enjudayû I and staged under the title "Katami no Hana Tamuke no Sodenoka" in February 1824 at the Ichimuraza. It starred Bandô Hikosaburô IV and Ichimura Uzaemon XII. Nowadays, "Yoshiwara Suzume" is staged with either a Kiyomoto or a Nagauta ensemble. The Kiyomoto-based version, which is more popular and more frequently staged, is also called "Shinyoshiwara Suzume" (Shinyoshiwara being the new Yoshiwara).

"Yoshiwara Suzume" is a colorful dance set against the backdrop of the Yoshiwara pleasure quarter and depicts two sparrow sellers. Purchasers set the birds free as part of a Buddhist ritual (called hôshôe), and references are made to the geisha of Yoshiwara being caged like the birds and longing to be free.

Courtesy of Jean Wilson (1999)

"Yoshiwara Suzume", which literally means Yoshiwara's sparrow, is also an expression used for the non-paying people, who thronged the streets of the Yoshiwara pleasure quarter, loitering about without entering any tea house.

The actors Ichikawa Danjûrô VIII and Iwai Kumesaburô III playing the male and female vendors in the dance "Shinyoshiwara Suzume", which was staged in September 1852 at the Kawarazakiza (print made by Utagawa Toyokuni III)