Suzuki Senzabur˘'s drama "Ikite-iru Koheiji" was premiered in June 1925 at the Shinbashi Enbuj˘ [more details]. It was a modern revision of the famous story of the travelling actor  Kohata Koheiji , with much more psychology and less kaidanmono stage effects.
"Ikite-iru Koheiji" is made up of 3 acts (one scene per act).
Asaka no Numa
Act I: Asaka no Numa
It is late afternoon in spring on the Asaka Marsh in ďshű. The sky is dark and the shadows of the trees are gloomy. The Asaka Marsh is sullen. Two men are fishing on a boat. Their sullen mood matches their surroundings.
Nago no Takur˘ , a hayashigata (taiko-uchi), and Kohata Koheiji , an actor, are members of a traveling troupe (tabi shibai), and old friends. Although outwardly they are still good friends, there is now a strained feeling between them. This is because of a woman named Ochika, who was widowed some four years ago. Since then, she became Takur˘'s ny˘b˘, but being a libertine she is also at the same time having a love affair with Koheiji, who is thoroughly infatuated with her. Takur˘ is aware of his wife's infidelity but he has always pretended not to notice. This situation has dragged on for four years, and the strain has become quite unbearable for the two friends. Both of the men are rather timid in nature and each feels himself guilty, one for coveting the other's wife, the other because he feels his loose wife is merely toying with his friend.
Koheiji finally brings up the matter, very hesitantly. He says that he realizes Takur˘ must have been aware of the love affair, and he must have despised him in his heart. Takur˘ answers that after all it is only a fickle game on the part of his wife, so that he has felt it beneath his dignity to make a fuss over it. Koheiji, feeling deeply insulted, says that it is not a game. He is genuinely in love with Ochika, and that if he were not, then he would not waste time playing with the wife of a mere hayashigata. This time Takur˘ feels also insulted. The stifled feelings of the two men gradually come out into the open. Koheiji begs Takur˘ to relinquish Ochika and give her to him as his wife. Takur˘ refuses, saying that although he seems to treat Ochika roughly, he is in love with her. Moreover she is his wife. Therefore, Koheiji is the one who must give her up. He taunts Koheiji, telling him to use all his power as actor to try to woo Ochika into eloping with him (kakeochi). He reiterates his belief that Ochika is only amusing herself with Koheiji, and that if it came to making a choice, she would stick with her husband. Koheiji shows sullen anger and swears that he will make Ochika his wife. The quarrel suddenly develops in subdued fury, until finally Takur˘ strikes Koheiji with a board. Koheiji falls into the marsh.
By this time it is growing dark over the marsh. Takur˘ shivers apprehensively and starts to row off. But suddenly Koheiji, bloody and covered with swamp grass, tries to climb aboard the boat. In a frenzy, Takur˘ strikes at the apparition. Koheiji slips back into the water. Takur˘ looks off into the dusk over the water. The shivering Takur˘ feels that Koheiji is still alive. He starts to row again, but the boat begins to go in circles.
Act II: Edo Takur˘ no Ie
Ten days have passed since the end of the first act. It is dusk and the sounds of the nearby Sumida River are heard in the background. Rain is falling. Ochika is sitting in front of a mirror combing her hair. Koheiji comes to the door and peeks inside. He looks almost dead, with his wounds still open and his clothes covered with mud.
Ochika opens the door when Koheiji calls out. She is surprised to see him in such a condition, and when she questions him, he tells her that he has killed Takur˘. He convinces her to run away with him and start a new life by threatening to say that she planned the murder of Takur˘ with him if he gets caught.
Ochika goes upstairs to get some money and make preparations to leave immediately with Koheiji. Before she comes back downstairs, Takur˘ appears at the door and calls out to Ochika. Koheiji hides in a corner of the entranceway. When Takur˘ notices Koheiji, Koheiji urges Takur˘ to kill him again. But Takur˘, unsure whether Koheiji is really alive or a ghost (yűrei), is so frightened that he promises to give Ochika to Koheiji if he will only leave him alone. Just as Takur˘ gets hysterical, Ochika comes downstairs.
Takur˘ is in abject terror and begs Ochika to go away with Koheiji. But finally, when Ochika asks if Takur˘ is really going to leave her, Takur˘ plucks up his courage once more and stabs Koheiji. Ochika helps Takur˘ by tripping Koheiji as he tries to run away. Takur˘ puts his foot on the fallen Koheiji and stabs him through the middle of the chest once more. Ochika is overjoyed, but Takur˘ begins to weep bitterly and lamenting that he has finally actually killed a good old friend.
Act III: Umibe
The scene is set at the seaside on a dark night. Ochika and Takur˘ are on the run, but Ochika has become so tired that she cannot go a step farther. Takur˘ asks Ochika whether she saw a man in the shadows at the inn the night before who looked just like Koheiji. Ochika answers absently that she did not see him. It seems that wherever they go, they meet a man in the shadows looking like Koheiji. This story is indeed a mÚnage Ó trois for life... and beyond.
 Kohata Koheiji, the "ghost" of the story, was said to have been a former servant of a Kabuki actor. He later became an itinerant actor, but he was betrayed and murdered by his wife Otsuka and and her lover Adachi Sakur˘. This story was handled as a ghost play in Tsuruya Nanboku's drama "Iroeiri Otogi Z˘shi" in 1808 and has been taken up since in various forms, mainly in the ghost-play category.
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